Sunday, February 12, 2012
Elyse Waksman - It's Kind of a Funny Story
While Disney and Pixar’s original plot provides the audience with creative thinking on a young topic, the themes incorporated by the producers invokes the viewers’ emotions and allows them to connect to the story. One of these main themes is the significance of replacing something and moving on to a bigger, better thing. This is clearly illustrated in the story when Andy’s room theme changes from a western one with cowboys to one with spaceships, planets and aliens (Christian Answers). Woody is heartbroken when Andy knocks him off his bed and replaces him with Buzz Lightyear, a toy that is newer and more technologically developed than he is. Woody’s lack of interesting features newly recognized by Andy is symbolic to something that no longer functions and that will be discarded. All people have replaced things with the hope of reaching a better, more enjoyable experience, and can identify this as a main topic of the story. A theme that is universal to all people further appeals to the interest of the viewer and provides insight on the journey of life. By doing this, Disney and Pixar blend together multiple filmmaking techniques seamlessly, earning Toy Story recognition as a movie classic.
While the incorporation of universal themes reflects the skills of the movie producers, the introduction of new movie technologies denotes the high quality of the film. Toy Story imprints its mark into film history as it is the first fully computer-generated picture ever to be released in theaters (Rotten Tomatoes). The excellence of three-dimensional computer animation complimented by vivid colors is appreciated by a large audience (Berardinelli). Other special effects such as crystal clear audio and smooth transitions between scenes contribute to the identity of Toy Story as a unique and flawless film. This motion picture has forever changed the art of animation and has influenced the production of other films. Within a decade of the release of Toy Story, the movie’s success motivated Disney and Pixar to produce more computer-animated films, including A Bug’s Life (1998), Monster’s Inc. (2001) and Finding Nemo (2003) (Rotten Tomatoes). It is unquestionable that these technological innovations appeal to a broad audience and demonstrate Toy Story’s individuality as a film. Through these processes, the producers prove that their work of art is worthy of being recognized as a classic.
Toy Story is truly a distinct film that cleverly combines multiple filmmaking techniques to produce an enjoyable story to viewers of all ages. Through the use of an original plot, universal themes and innovative technologies, Disney and Pixar produce a film that intrigues the emotions of viewers and that conveys important life messages. Therefore, Toy Story deserves recognition as a movie classic.
ChristianAnswers.net “Movie Review: Toy Story” Accessed 12 February 2012 http://christiananswers.net/spotlight/movies/pre2000/rvu-toy.html?zoom_highlight=toy+story
Jamie Kwok: Titanic
Pulp Fiction-Laura Wentworth
We live in an age where watching a movie is such a normal, commonplace activity that we rarely stop to judge what truly makes this experience worthwhile. However, once in a while a movie comes along that is so mesmerizing, so original that we have to recognize that it is truly a great movie. Pulp Fiction is one of those movies.
Pulp Fiction is a 1994 movie directed by Quentin Tarantino. It has a complex plot, revolving around three subplots. Each subplot involves the same main characters, but different characters are of different import in each subplot. It was nominated for seven Academy Awards and won the Palme D’Or at the
While the amount of accolades this film has received indicates that it is a movie of some merit, you must delve deeper in order to figure out exactly why it is a good film. This starts with examining the entertainment value. The main purpose of a movie is to entertain its audience; therefore in order to be good it is important for a movie to stay interesting. With its fast-paced plot and action-packed scenes, Pulp Fiction certainly fit this criterion.
A good movie must also have a good script. In order to be good, a script must create characters and situations that feel real, no matter how absurd a situation they are in. The screenwriters, through dialogue, must be able to draw the audience into the world they create. Quentin Tarantino and Roger Avary do an amazing job with this. Even though this movie does not follow chronological order, it does not get confusing. Each individual line has some sort of an effect on the audience. There are not a lot, if any, “filler lines” that don’t have an overall purpose.
In addition, a quality movie requires good actors. There is a saying “good actors can’t make a bad movie good, but bad actors can turn a good movie bad”. A movie can have an extremely fascinating plot and a brilliantly written script, but if the audience cannot connect to the actors delivering the lines, then the film cannot be good. Quentin Tarantino did an amazing job casting Pulp Fiction. Samuel L Jackson, in particular, stood out. His character in Pulp Fiction is Jules Winnfield, a hitman who finds God. While this premise seems unbelievable, the strength of
Edit: Here are my sources
Pulp Fiction, Imdb http://www.imdb.com/title/tt0110912/ 12 February 2012
AFI's 100 years 100 movies, American Film Institute, http://www.afi.com/100years/movies10.aspx 12 February 2012
Tori VonKaenel - Extra Credit Romeo & Juliet Review
Sarah Himmelstein- Mr. Holland's Opus Review
Sarah Himmelstein
Lodge
APLAC
12 February 2012
Mr. Holland’s Opus-Movie Review
Pursuing individual dreams is a common desire. It is also common to feel unsatisfied if these dreams are not accomplished. Mr. Holland’s Opus is a film which explores this ordinary theme in humanity; yet its plot, character development, message, and other features work concurrently to create an outstanding American drama, arguably the most inspirational of our time.
An inspirational film is one which stimulates the audience emotionally through realistic circumstances and relatable and unique characters. In Mr. Holland’s Opus, Glenn Holland (Richard Dreyfuss) takes a job as a music teacher to pay rent while his spare time is spent attempting to achieve his true goal of becoming a composer and leaving his mark on the world through music. Mr. Holland comes to realize that teaching is not a job that offers much spare time and like many adults, he becomes conflicted while trying to balance his time between his wife and son, his job, as well as his own pursuits. When Holland learns that their son, Cole, is deaf, he is devastated that he cannot share his love of music with his own child. He begins to choose teaching music to his students over trying to connect with his son. Through three decades as a teacher, Holland becomes closer to his students than to his own son. Holland tries to deal with his struggles to what he thinks is the best of his ability, but he is not void of emotion. His pain is manifested through losing his temper. He becomes angry with his students while trying to reach them and help them succeed and with his son due to their dysfunctional communication. Glenn Holland’s realistic display of emotions compels the audience to sympathize and empathize with him and his struggles.
Mr. Holland is also a unique character who intrigues the audience with his unorthodox teaching methods. He uses rock- and- roll music to capture the students’ interests and have them understand why certain music is appealing. He also uses visualization to help his student, Gertrude, rediscover her love of playing the clarinet and become a more skilled musician. Additionally, in attempt to motivate his students to appreciate music, he tells them, “Playing music is supposed to be fun. It's about heart, it's about feelings, moving people, and something beautiful, it's not about notes on a page. I can teach you notes on a page, I can't teach you that other stuff” (IMDb). These insightful views and teaching techniques make Mr. Holland a memorable character to the audience.
An inspirational film also leaves the audience contemplating poignant messages even after it is over. Mr. Holland’s Opus goes even further to incorporate these messages skillfully and subtly. “Life is what happens to you while you’re busy making other plans,” Glenn Holland comes to realize. He sings this line in John Lennon’s “Beautiful Boy” at the end of the film to his son. This is a depiction of growth in Mr. Holland’s character because he now understands that striving to be a composer was causing him to miss out on being a part his family and community. This quotation could surely be striking to the audience or simply emphasize an important awareness about living for and appreciating the moment. Furthermore, the film offers the idea that achieving a goal requires hard work and possibly unusual efforts. This message can be taken from Mr. Holland’s lecture to his students about Ludwig Van Beethoven composing music despite his hearing impairment. Holland says, “There is a story, that in order to write his music, Beethoven literally sawed the legs off of his piano, so that the body would lay flat on the floor. And he would lie down next the piano with his ear pressed to the floor, and he would hit the keys with his fingers in order to hear his music through the vibrations of the floor” (IMDb Memorable Quotes). This allusion to Beethoven draws a parallel to Mr. Holland’s struggle to connect with his deaf son. In order for him to find some common ground and have a healthy relationship with Cole, he may have to take an unconventional approach. He gradually began to do just this. One last message that the film offers is about defining success. Through Glenn Holland’s struggle to feel successful without having published his famous symphony, he realizes that he is actually very successful because of the observable impact he has had the people around him. This film reaches the audience on a personal level and asks them to consider how they measure or should measure their own success.
Due to its inspirational nature, Mr. Holland’s Opus is a film for everyone. Teachers and parents will be especially moved by its sentiments. In order for a film to be inspirational, it must present relatable and unique characters. Because of Richard Dreyfuss’s ability to create this model, it is no wonder this tile role received him an Academy Award nomination for Best Actor in 1995 (Wikipedia-Mr. Holland’s Opus). Inspirational films must also incorporate memorable lessons. While critics may argue that the messages about success and achieving goals in Mr. Holland’s Opus are cliché (Polenz), the means through which they are presented are surely original. If you are “soul searching “or looking for inspiration, this emotionally inducing yet feel-good movie will undeniably grant you satisfaction.
Works Cited
"Mr. Holland's Opus (1995) - Memorable Quotes." The Internet Movie Database (IMDb). Web. 12 Feb. 2012.
"Mr. Holland's Opus." Wikipedia, the Free Encyclopedia. Web. 12 Feb. 2012.
Polenz, Chad. "Review for Mr. Holland's Opus (1995)." The Internet Movie Database (IMDb). Web. 12 Feb. 2012.
"Mr. Holland's Opus (1995) - Memorable Quotes." The Internet Movie Database (IMDb). Web. 12 Feb. 2012.
The English Patient-Movie Review
The Second World War has been the inspiration for many movies, but only a few can be considered extraordinary. An extraordinary movie is a movie that has wonderful character development, and an original and captivating plot. The main reason why many movies of this genre are not extraordinary is that though many have interesting characters and plots but they lack complexity in both. Produced in 1996, The English Patient has the most intriguing protagonist of them all. Shrouded in mystery, Count Almasey’s story is the movie itself, taking the audience between two times, each scene beautifully depicted, making the audience blindly follow the progression of the movie, hoping that all will end well. In this way, both of the conditions of an extraordinary movie are met, showing that The English Patient is a remarkable masterpiece.
Count Almasey seems to have no recollection of his past after his plane is shot down by Germans. The audience is then introduced to the unique progression of the story, a back and forth between the past and present of Count Almasey. When Carvaggio asks if Count Almasey knows of the name “Moose”, the audience is brought to a flashback where Caravaggio’s real character is introduced, as a British spy with the codename “Moose”. This kind of development in this movie is so unique that it stands above the rest in originality, as far as the plots go. In fact, the plot also has another feature that allows it to completely encompass all the criteria of having a plot. Instead of being linear, as many movies are, this movie was circular; it began in the desert, with one scene, and ended with the same one. The meaning, however, was completely different- the intimacy between the audience and Almasey had grown, and a new understanding of the situation provided a whole new scenario.
But originality is not the only advantage this developmental pattern has. By only giving small portions of his memory to the audience at a time, the viewers are left on edge, always wondering what will happen next. The climax scene is probably the best example of this. When Carvaggio accuses Almasey for being a spy in the present, the audience is left to wonder whether or not he was a spy, until they see the flashback of how desperate Almasey was to save Katherine which proves otherwise. This plot twist also introduces to us a unique type of character development, not found in many movies in its genre, or time; the antihero. Characters are often called antiheros when they are seen as the protagonist, but then are introduced to a major flaw in their “perfect” nature. This kind of fallibility makes the character more human, easier to sympathize with, and easier to understand. By doing so, the story is not something that seems like fiction, rather, it can be seen as a melancholy story from which the audience can choose what to take.
Though some might say that the movie is overly complex, and it is only an overplayed romance, these qualities are what actually make the movie great. The combination of many genres- romance, war, and mystery- all combined into one plot make for a complex plot that is easy enough to follow, but complicated enough to provide the audience with mysteries. The situation may be called unrealistic by some, but the character’s flaws are so real that the actions that followed seem to flow with human nature. It is obvious with these two things superbly executed, The English Patient is very deserving of the 9 awards it has received.
-Ashwin Nagaraj