Sunday, February 12, 2012

Elyse Waksman - It's Kind of a Funny Story


Elyse Waksman
APLAC – 1
Ms. Taylor
12 February 2012
Review of It’s Kind of a Funny Story
            An off-beat story filled with personal growth and quirky, lovable characters, It’s Kind of a Funny Story, directed by Anna Boden and Ryan Fleck, is undoubtedly one of the best comedy-dramas of our time (“Cast and Crew”). This film, based on the book by Ned Vizzini, is an unforgettable story of a boy struggling to meet the demands of the people in his life, stretching himself thin (“Story”).
            The movie begins with 16-year-old Craig, played by Keir Gilchrist, having recurring dreams of suicide. One morning when he awakens, he realizes everything has become too much for him to handle. In a panic, he checks himself into the psychiatric ward of a nearby hospital, unaware that he would be required to stay for at least five days. As he is taking his tour through the sterilized halls of 3 North, as they call the ward, Craig immediately changes his mind, hoping to receive a “quick” solution and to return home by the time school starts the next day. But since this is not possible, Craig has the opportunity to be transformed by the interesting, yet disturbed patients surrounding him. Bobby, played by Zach Galifianakis, is a grown man who refuses to tell Craig his own story and sometimes acts like a child. He teaches Craig how to live and not worry so much, quoting Bob Dylan (“He not busy being born is busy dying”), and in turn learns to face his problems and accept help when it’s offered (“Bob Dylan Quotes”). Another patient, Noelle (Emma Roberts), with scars on her wrists and face, becomes a love interest for Craig, forming a relationship based on his true self. Outside of the hospital, Craig feels pressure from his parents; his best friend, Aaron (Thomas Mann), who is perfect at everything he tries; and his teachers, creating a mountain of depression he can neither handle on his own nor find the strength to discuss with anyone. But inside 3 North, he finds comfort in openness, revealing an artistic part of himself that even he didn’t know existed. By the end of his stay, Craig has fallen in love with Noelle and gotten in touch with what he really wants—no longer pursuing what his parents want for him. But he realizes that he isn’t completely healed, just that he now thinks he can handle everything better than before. The movie avoids seeming trite and unrealistic by emphasizing that he still has much more progress to be made.
            An exceptional comedy-drama has characters with great chemistry and unexpected dialogue. It’s Kind of a Funny Story definitely demonstrates these qualities through Galifianakis’s deadpan delivery and Gilchrist’s wide-eyed wonder and youth. Roberts’s straying from the social norms of teenage girls, balanced with her honesty and defiant independence, contributes to the mixture. The other patients, ranging from schizophrenics to former acid-addicts, add dashes of color and comedy. Movies like this must have a dramatic plot with a plausible resolution. This film, though its content only spans five days, shows Craig’s transformation from an insecure and stressed out teenager to someone on the way to self-discovery and happiness. Moreover, the movie elaborates on the heavy impact his newly found candor has on everyone around him. His openness leads to Aaron and Aaron’s girlfriend, Nia (Zoë Kravitz), both admitting they feel depressed sometimes as well. Craig’s parents begin to realize the seriousness of his situation, and they begin to accept what he wants for himself. Bobby learns how to handle an interview and lands himself a spot in a group home. Noelle finds comfort in Craig, especially because he never asks her about her scars; he expects her to tell him when she is ready. And most of all, Craig’s stay affects his own life—he remembers what it’s like to just breathe rather than force himself to remain under the pressures of summer program applications and schoolwork. But the progress Craig makes does not outstretch what is believable; it just goes to show how much can be accomplished by putting things into perspective and asking for help. This development is not only realistic, but it also teaches the audience a lesson, a rare bonus in modern-day films. Almost all movie genres, from horror films to romantic comedies, should contain some symbolism. It’s Kind of a Funny Story is teeming with symbols, such as Craig’s “brain-maps.” He turns to art when staying at 3 North and begins these paintings that give him release from his everyday pressures, and they symbolize how confusing, yet beautiful, the inner workings of the different characters are. After painting a map of his own mind, he goes on to tackle those of Bobby and Noelle, showing his growing understanding of who they are. All of these qualities contribute to the excellence of this film, making it memorable and unique.
            The composition of this film is such that the audience can’t help laughing out loud when five-year-old Craig utters a curse word in dismay, or marvel at Bobby’s levity when sneaking out of the ward dressed as a doctor. Scattered with moments of despair, humor, and love, this movie captures the essence of self-discovery and is sure to capture the hearts of many an audience with its eccentricity and whimsicality.


Works Cited
“Bob Dylan Quotes.” Brainy Quote. Accessed on 12 February 2012. http://www.brainyquote.com/quotes/quotes/b/bobdylan121500.html.
“Cast and Crew.” Focus Features. Accessed on 12 February 2012. http://focusfeatures.com/its_kind_of_a_funny_story/cast-crew.
“Story.” Focus Features. Accessed on 12 February 2012. http://focusfeatures.com/its_kind_of_a_funny_story/synopsis.

Ryan Voelker

Mrs. Lodge

APLAC

12 February 2012

             A classic is an original movie that appeals to emotions and intrigues an audience uniquely.  A classic effortlessly teaches or enforces life’s valuable lessons through a developed plot and characters with vivid personalities.  Released in 1995, Disney and Pixar’s Toy Story revolutionizes the viewing experience of animated films.  Toy Story is a clever, warm-hearted comedy that is enjoyed by all audiences.  By using a distinct plot, universal themes and new movie technologies, the producers of Toy Story create a genuine twentieth-century classic. 
            Disney and Pixar’s use of an original storyline entertains movie fans by developing ideas untouched by animated films in the past.  In Toy Story, cowboy doll Woody (Tom Hanks) questions his importance in the life of owner Andy Davis (John Morris) after Andy receives a spaceman action figure as a birthday gift (IMDb).  Although he quickly becomes the center of Andy’s new life, Buzz Lightyear (Tim Allen) believes that his spaceship crashed into Andy’s room by mistake, and is determined to return to his home planet.  As the story continues, Woody grows jealous of and attempts to purposely inflict harm upon Buzz, hoping that he can remove the new toy from Andy’s life.  Eventually, however, the two are forced to put their differences aside and work as a team when they are held hostage by Andy’s neighbor Sid Phillips (Erik von Detten), a bully who enjoys transforming toys into hideous mutants (Christian Answers).  The relationship between Buzz and Woody grows into a friendship as they escape from Sid’s sinister clutches and return home to Andy.  The ideas behind Toy Story are original in that toys are given human qualities and interact with one another as humans do.  The chemistry between actors Hanks and Allen realistically portray interactions between rivals and friends, which ultimately engages the audience.  This guides the unique plot of the movie as it unfolds, making Toy Story worthy of the title classic.
            While Disney and Pixar’s original plot provides the audience with creative thinking on a young topic, the themes incorporated by the producers invokes the viewers’ emotions and allows them to connect to the story.  One of these main themes is the significance of replacing something and moving on to a bigger, better thing.  This is clearly illustrated in the story when Andy’s room theme changes from a western one with cowboys to one with spaceships, planets and aliens (Christian Answers).  Woody is heartbroken when Andy knocks him off his bed and replaces him with Buzz Lightyear, a toy that is newer and more technologically developed than he is.  Woody’s lack of interesting features newly recognized by Andy is symbolic to something that no longer functions and that will be discarded.  All people have replaced things with the hope of reaching a better, more enjoyable experience, and can identify this as a main topic of the story.  A theme that is universal to all people further appeals to the interest of the viewer and provides insight on the journey of life.  By doing this, Disney and Pixar blend together multiple filmmaking techniques seamlessly, earning Toy Story recognition as a movie classic.
            While the incorporation of universal themes reflects the skills of the movie producers, the introduction of new movie technologies denotes the high quality of the film.  Toy Story imprints its mark into film history as it is the first fully computer-generated picture ever to be released in theaters (Rotten Tomatoes).  The excellence of three-dimensional computer animation complimented by vivid colors is appreciated by a large audience (Berardinelli).  Other special effects such as crystal clear audio and smooth transitions between scenes contribute to the identity of Toy Story as a unique and flawless film.  This motion picture has forever changed the art of animation and has influenced the production of other films.  Within a decade of the release of Toy Story, the movie’s success motivated Disney and Pixar to produce more computer-animated films, including A Bug’s Life (1998), Monster’s Inc. (2001) and Finding Nemo (2003) (Rotten Tomatoes).  It is unquestionable that these technological innovations appeal to a broad audience and demonstrate Toy Story’s individuality as a film.  Through these processes, the producers prove that their work of art is worthy of being recognized as a classic.
            Toy Story is truly a distinct film that cleverly combines multiple filmmaking techniques to produce an enjoyable story to viewers of all ages.  Through the use of an original plot, universal themes and innovative technologies, Disney and Pixar produce a film that intrigues the emotions of viewers and that conveys important life messages.  Therefore, Toy Story deserves recognition as a movie classic.
 
Works Cited:

 Berardinelli, James “Toy Story: A Film Review”  1995 http://www.reelviews.net/movies/t/toy_story.html
 
ChristianAnswers.net “Movie Review: Toy Story” Accessed 12 February 2012  http://christiananswers.net/spotlight/movies/pre2000/rvu-toy.html?zoom_highlight=toy+story

 IMDb “Synopsis for Toy Story” 2012 http://www.imdb.com/title/tt0114709/synopsis

 Rotten Tomatoes “Toy Story” Accessed 12 February 2012  http://www.rottentomatoes.com/m/toy_story/




Jamie Kwok: Titanic



Jamie Kwok
Period 1 Lodge
February 12, 2012

Titanic: Argument of Definition/Evaluation
            Forbidden love is a drug to film audiences, pulling us in and leaving an audience either satisfied or bereft. We often want what we can’t have, and a story of forbidden love can end in absolute harmony or disaster.  Director James Cameron manages to capture deep romance and intense drama, combining them to create a classic and extraordinary movie, Titanic. Winning four Golden Globes awards, 11 Academy Awards, ACE “Eddie” Award, Screen Actors Guild Award, and several more, the general public agrees that this movie is a classic(IMDb.com). The film features Leonardo DiCaprio, Kate Winslet, and Billy Zane, all remarkable actors that have participated in several other famous movies (rottentomatoes.com). Titanic, with its experienced actors and rich storyline is a remarkable masterpiece that depicts Cameron’s interpretation and imagination on the events that could have occurred onboard the RMS Titanic.
            The movie starts off with a treasure hunter, Brock Lovett, exploring the sunken wreck of the RMS Titanic, in search of a diamond necklace known as the “Heart of the Ocean,” claimed to be worth more than the Hope Diamond. He finds a safe, but realizes that all it contained was a sketch of a woman passenger that had been aboard the ship. A woman by the name of Rose Dawson Calvert comes forward and claims that the drawing is of her, back in the day. Rather than finding a necklace that is worth a fortune, Lovett is introduced to a priceless retelling of the memories that a lover has imprinted onto one’s mind.
            Rose's story begins as a fiancée to a rich man, Cal, boarding the RMS Titanic on a voyage to America. Jack Dawson (Leonardo DiCaprio), out of pure luck in a poker game, manages to win a ticket to the third-class level of the same ship. Rose, obviously distraught with her current relationship status, considers committing suicide until Jack comes along and stops her and later saving her from accidentally falling off the ship’s stern. Thus began the romantic and perfect relationship between Jack and Rose. Jack is introduced to the first world through Rose and is consistently looked down upon, showing the discrimination and huge socioeconomic split during the time. Rose’s mother and Cal continuously forbid Rose from seeing Jack, regardless of the joy and entertainment that he supplies her with. She finds ways to see him anyway, unable to keep away from his because of their expressive love. The relationship develops much further and Rose decides that when the ship arrives to its destination, she will get off with Jack and spend the rest of her life with him. This plan is interrupted as the ship, claimed to be unsinkable, hits an iceberg and quickly floods from the lower level. The Titanic is predicted to go down in a matter of hours and the crew gathers the women and children to go on the lifeboats, though panic ensues as there are only enough lifeboats to seat half the passengers and they weren’t even filled up as they were set to sail. Rose risks her life to save Jack, handcuffed in a cellar because of an accusation made by Cal. The ship soon breaks in half and it entirely submerges, either bringing down passengers with it or leaving them afloat to freeze to death. Rose is able to avoid hypothermia by lying on a headboard while Jack, aside her, is in the ocean water literally freezing to death. A lifeboat returns to save Rose and a few other passengers that were still alive. As the camera flashes back to the present day, Rose is surrounded by mesmerized listeners, intrigued by her story. By nighttime, she brings out the “Heart of the Ocean,” staring out at the Atlantic. A reminder of the night she had spent with Jack and the sketch that he made of her, she drops it in the ocean, to exist at the bottom of the ocean with Jack.
            I believe this movie is considered a classic and an extraordinary movie for several reasons. I recently saw this movie because of several claims that it was a classic and had an amazing plotline. But what is a classic movie and what are the qualifications? A source claims that a classic “serves as a standard, model, or guide” (Dictionary.com). Titanic serves as a foundation for other romantic movies such as The Notebook or Leap Year which have similar concepts. The whole idea of a quickly developing relationship with a catch is often used, namely after this movie was produced. It has an original idea and is consistently looked back to as a classic, romantic movie that one can always cry during. It is also a good movie as something that is good is “satisfactory in quality, quantity, or degree” (Dictionary.com). There is no doubt that the movie was satisfactory and of excellence. It consisted of forbidden love and a dramatic plot, keeping the audience on the edge of their seats, wondering what to expect next. It was fast-paced and involved each character in the movie, ensuring that they each had a great contribution to the plot of the movie, whether they may be the antagonist or protagonist. Each minute movie left my heart pounding from excitement or an overflow of emotions, though it was for an entire 194 minutes.
            Some may argue that Titanic doesn’t live up to its accolades, as lacks in storyline and is simply an overplayed romance. However, the film in fact has a rich storyline. It isn’t just a film that focuses on the romantic relationship between Rose and Jack, but it also focuses in on the general socioeconomic society and the overall relationships between the first and third class. It also focuses in on the claims made toward the RMS Titanic and the excitement that it stirred up in world. The romantic relationship itself is extremely realistic and the flaws that Rose and Jack display completely coincide with those of human nature. With these so-called “flaws” of the movie disposed of, it is clear that Titanic is a classic movie that should be seen by everyone, regardless of age or gender.    


Works Cited
"Titanic (1997) - Awards." The Internet Movie Database (IMDb). 12 Feb. 2012. <http://www.imdb.com/title/tt0120338/awards>.
"Titanic - Rotten Tomatoes." Rotten Tomatoes.  12 Feb. 2012. <http://www.rottentomatoes.com/m/titanic/>.
"Classic." Dictionary.com. 12 Feb. 2012. <http://dictionary.reference.com/browse/classic>.
"Good." Dictionary.com. 12 Feb. 2012. <http://dictionary.reference.com/browse/good>.

Pulp Fiction-Laura Wentworth

We live in an age where watching a movie is such a normal, commonplace activity that we rarely stop to judge what truly makes this experience worthwhile. However, once in a while a movie comes along that is so mesmerizing, so original that we have to recognize that it is truly a great movie. Pulp Fiction is one of those movies.



Pulp Fiction is a 1994 movie directed by Quentin Tarantino. It has a complex plot, revolving around three subplots. Each subplot involves the same main characters, but different characters are of different import in each subplot. It was nominated for seven Academy Awards and won the Palme D’Or at the Cannes film festival, among other honors.



While the amount of accolades this film has received indicates that it is a movie of some merit, you must delve deeper in order to figure out exactly why it is a good film. This starts with examining the entertainment value. The main purpose of a movie is to entertain its audience; therefore in order to be good it is important for a movie to stay interesting. With its fast-paced plot and action-packed scenes, Pulp Fiction certainly fit this criterion.



A good movie must also have a good script. In order to be good, a script must create characters and situations that feel real, no matter how absurd a situation they are in. The screenwriters, through dialogue, must be able to draw the audience into the world they create. Quentin Tarantino and Roger Avary do an amazing job with this. Even though this movie does not follow chronological order, it does not get confusing. Each individual line has some sort of an effect on the audience. There are not a lot, if any, “filler lines” that don’t have an overall purpose.



In addition, a quality movie requires good actors. There is a saying “good actors can’t make a bad movie good, but bad actors can turn a good movie bad”. A movie can have an extremely fascinating plot and a brilliantly written script, but if the audience cannot connect to the actors delivering the lines, then the film cannot be good. Quentin Tarantino did an amazing job casting Pulp Fiction. Samuel L Jackson, in particular, stood out. His character in Pulp Fiction is Jules Winnfield, a hitman who finds God. While this premise seems unbelievable, the strength of Jackson’s performance made the transformation seem realistic. He creates a complex and believable character that truly contributes to Pulp Fiction as a whole.


Edit: Here are my sources


Pulp Fiction, Imdb http://www.imdb.com/title/tt0110912/ 12 February 2012


AFI's 100 years 100 movies, American Film Institute, http://www.afi.com/100years/movies10.aspx 12 February 2012


Tori VonKaenel - Extra Credit Romeo & Juliet Review

Many schools attempt Shakespearean plays, but this past weekend, South Windsor High School’s production of Romeo and Juliet could be considered one of the best high school productions.  A good play would include key scenes that may often be left out in movies or popular productions, and emotional actors.
 It was very important to the SWHS production included lines of many servants not only to give more students an oppourtunity to participate, but to fully understand the meaning of the play.  The actor’s needed emotions to bring the show to life and connect with the audience where they may not have understood the traditional, poetic speech alone.
This production included small scenes like the musicians discussion with Peter after Juliet’s death, which may seem unimportant at a glance, but add to the development of small, but important characters to the overall plot.  As for actors, they hit the emotions right on the head, although it did occasionally cause them to break traditional delivery of iambic pantameter.  Scenes such as Act V, Scene III filled the audience with emotion at the loss of likeable characters and realistic reaction of the other characters. 
It is understood that the actors were not perfect, and occasionally dropped lines, ot they may not have fit 10 syllables to a t like they should have.  However, this was very impressive for a cast of young students, most of who began with little to no Shakespearean experience.  Of all high school productions, this could clearly be considered on of the best.

Sarah Himmelstein- Mr. Holland's Opus Review

Sarah Himmelstein

Lodge

APLAC

12 February 2012

Mr. Holland’s Opus-Movie Review

Pursuing individual dreams is a common desire. It is also common to feel unsatisfied if these dreams are not accomplished. Mr. Holland’s Opus is a film which explores this ordinary theme in humanity; yet its plot, character development, message, and other features work concurrently to create an outstanding American drama, arguably the most inspirational of our time.

An inspirational film is one which stimulates the audience emotionally through realistic circumstances and relatable and unique characters. In Mr. Holland’s Opus, Glenn Holland (Richard Dreyfuss) takes a job as a music teacher to pay rent while his spare time is spent attempting to achieve his true goal of becoming a composer and leaving his mark on the world through music. Mr. Holland comes to realize that teaching is not a job that offers much spare time and like many adults, he becomes conflicted while trying to balance his time between his wife and son, his job, as well as his own pursuits. When Holland learns that their son, Cole, is deaf, he is devastated that he cannot share his love of music with his own child. He begins to choose teaching music to his students over trying to connect with his son. Through three decades as a teacher, Holland becomes closer to his students than to his own son. Holland tries to deal with his struggles to what he thinks is the best of his ability, but he is not void of emotion. His pain is manifested through losing his temper. He becomes angry with his students while trying to reach them and help them succeed and with his son due to their dysfunctional communication. Glenn Holland’s realistic display of emotions compels the audience to sympathize and empathize with him and his struggles.

Mr. Holland is also a unique character who intrigues the audience with his unorthodox teaching methods. He uses rock- and- roll music to capture the students’ interests and have them understand why certain music is appealing. He also uses visualization to help his student, Gertrude, rediscover her love of playing the clarinet and become a more skilled musician. Additionally, in attempt to motivate his students to appreciate music, he tells them, “Playing music is supposed to be fun. It's about heart, it's about feelings, moving people, and something beautiful, it's not about notes on a page. I can teach you notes on a page, I can't teach you that other stuff” (IMDb). These insightful views and teaching techniques make Mr. Holland a memorable character to the audience.

An inspirational film also leaves the audience contemplating poignant messages even after it is over. Mr. Holland’s Opus goes even further to incorporate these messages skillfully and subtly. “Life is what happens to you while you’re busy making other plans,” Glenn Holland comes to realize. He sings this line in John Lennon’s “Beautiful Boy” at the end of the film to his son. This is a depiction of growth in Mr. Holland’s character because he now understands that striving to be a composer was causing him to miss out on being a part his family and community. This quotation could surely be striking to the audience or simply emphasize an important awareness about living for and appreciating the moment. Furthermore, the film offers the idea that achieving a goal requires hard work and possibly unusual efforts. This message can be taken from Mr. Holland’s lecture to his students about Ludwig Van Beethoven composing music despite his hearing impairment. Holland says, “There is a story, that in order to write his music, Beethoven literally sawed the legs off of his piano, so that the body would lay flat on the floor. And he would lie down next the piano with his ear pressed to the floor, and he would hit the keys with his fingers in order to hear his music through the vibrations of the floor” (IMDb Memorable Quotes). This allusion to Beethoven draws a parallel to Mr. Holland’s struggle to connect with his deaf son. In order for him to find some common ground and have a healthy relationship with Cole, he may have to take an unconventional approach. He gradually began to do just this. One last message that the film offers is about defining success. Through Glenn Holland’s struggle to feel successful without having published his famous symphony, he realizes that he is actually very successful because of the observable impact he has had the people around him. This film reaches the audience on a personal level and asks them to consider how they measure or should measure their own success.

Due to its inspirational nature, Mr. Holland’s Opus is a film for everyone. Teachers and parents will be especially moved by its sentiments. In order for a film to be inspirational, it must present relatable and unique characters. Because of Richard Dreyfuss’s ability to create this model, it is no wonder this tile role received him an Academy Award nomination for Best Actor in 1995 (Wikipedia-Mr. Holland’s Opus). Inspirational films must also incorporate memorable lessons. While critics may argue that the messages about success and achieving goals in Mr. Holland’s Opus are cliché (Polenz), the means through which they are presented are surely original. If you are “soul searching “or looking for inspiration, this emotionally inducing yet feel-good movie will undeniably grant you satisfaction.

Works Cited

"Mr. Holland's Opus (1995) - Memorable Quotes." The Internet Movie Database (IMDb). Web. 12 Feb. 2012. .

"Mr. Holland's Opus." Wikipedia, the Free Encyclopedia. Web. 12 Feb. 2012. .

Polenz, Chad. "Review for Mr. Holland's Opus (1995)." The Internet Movie Database (IMDb). Web. 12 Feb. 2012. .

"Mr. Holland's Opus (1995) - Memorable Quotes." The Internet Movie Database (IMDb). Web. 12 Feb. 2012. .

The English Patient-Movie Review

The Second World War has been the inspiration for many movies, but only a few can be considered extraordinary. An extraordinary movie is a movie that has wonderful character development, and an original and captivating plot. The main reason why many movies of this genre are not extraordinary is that though many have interesting characters and plots but they lack complexity in both. Produced in 1996, The English Patient has the most intriguing protagonist of them all. Shrouded in mystery, Count Almasey’s story is the movie itself, taking the audience between two times, each scene beautifully depicted, making the audience blindly follow the progression of the movie, hoping that all will end well. In this way, both of the conditions of an extraordinary movie are met, showing that The English Patient is a remarkable masterpiece.

Count Almasey seems to have no recollection of his past after his plane is shot down by Germans. The audience is then introduced to the unique progression of the story, a back and forth between the past and present of Count Almasey. When Carvaggio asks if Count Almasey knows of the name “Moose”, the audience is brought to a flashback where Caravaggio’s real character is introduced, as a British spy with the codename “Moose”. This kind of development in this movie is so unique that it stands above the rest in originality, as far as the plots go. In fact, the plot also has another feature that allows it to completely encompass all the criteria of having a plot. Instead of being linear, as many movies are, this movie was circular; it began in the desert, with one scene, and ended with the same one. The meaning, however, was completely different- the intimacy between the audience and Almasey had grown, and a new understanding of the situation provided a whole new scenario.

But originality is not the only advantage this developmental pattern has. By only giving small portions of his memory to the audience at a time, the viewers are left on edge, always wondering what will happen next. The climax scene is probably the best example of this. When Carvaggio accuses Almasey for being a spy in the present, the audience is left to wonder whether or not he was a spy, until they see the flashback of how desperate Almasey was to save Katherine which proves otherwise. This plot twist also introduces to us a unique type of character development, not found in many movies in its genre, or time; the antihero. Characters are often called antiheros when they are seen as the protagonist, but then are introduced to a major flaw in their “perfect” nature. This kind of fallibility makes the character more human, easier to sympathize with, and easier to understand. By doing so, the story is not something that seems like fiction, rather, it can be seen as a melancholy story from which the audience can choose what to take.

Though some might say that the movie is overly complex, and it is only an overplayed romance, these qualities are what actually make the movie great. The combination of many genres- romance, war, and mystery- all combined into one plot make for a complex plot that is easy enough to follow, but complicated enough to provide the audience with mysteries. The situation may be called unrealistic by some, but the character’s flaws are so real that the actions that followed seem to flow with human nature. It is obvious with these two things superbly executed, The English Patient is very deserving of the 9 awards it has received.

-Ashwin Nagaraj