Marlene Krajewski
Mrs. Lodge
APLAC Period 5
12 February 2012
Breakfast at Tiffany’s
The 1960s in America were a time of social revolution,
an era during which many lived a carefree lifestyle giving it the name the “Swinging
Sixties”. Martin Jurow and Richard Sheperd’s depiction of Truman Capote’s novel
(1958), in the movie Breakfast at Tiffany’s
(1961), focuses on the life of Holly
Golightly (Audrey Hepburn), a poor girl doing whatever it takes to find love
and wealth in New York City during the early 1960s (Wikipedia.com). Holly lives
a somewhat scandalous life involving an unrespectable job and associating with people
she calls “rats”, but still manages to unintentionally make her modest neighbor,
Paul Varjak (George Peppard), fall in love with her. Ms. Golightly is especially “crazy about
Tiffany’s,” often going there to look through the windows while eating
breakfast (Memorable quotes for Breakfast
at Tiffany’s). Creating both Audrey Hepburn’s infinite fame and Hollywood
stereotyping by Mickey Rooney’s depiction of I.Y. Yunioshi, Breakfast at Tiffany’s can only be
described as timeless.
A timeless movie
is one that has relevance, character development, and a cast that will forever
be remembered for that movie. Fitting all of this criteria, Breakfast at Tiffany’s and the name
Audrey Hepburn will always be synonymous and will be remembered for years to
come, just as they have for the last fifty years. The biggest proof lies in the
picture of Audrey Hepburn holding a cigarette holder being among the most iconic
images of 20th century American cinema, and being remembered even
today (Wikipedia.com).
Without relevance,
a movie can be torturous to sit through. With it, the viewer becomes more
intrigued and continues watching, as they see how they directly relate to the
characters. Using a “girl and boy become friends, boy falls in love with girl,
girl rejects boy” plot, Breakfast at
Tiffany’s seems like an extremely typical romantic comedy. Its originality
comes from what drives Ms. Holly Golightly – a future of riches and love. When Holly
meets her neighbor, Fred Varjak, it is evident that both are smitten with each
other. But she thinks of him as more of a friend, referring to him as “Fred”
since he reminds her of her brother. Due to Paul’s lack of money, Holly does not
realize that true love is standing right in front of her, and continues looking,
until she finds it in a wealthy Brazilian man named Jose, for whom she said she
would, “…give up smoking if he asked…” (Memorable quotes for Breakfast at Tiffany’s). Her desire for
a rich successful life overpowers the feelings she feels towards Paul who she said
she would marry for his money in a minute, even though that did not matter
since he did not have much. Paul remains by her side, and finally in the end it
turns out to be worth his wait, as the movie ends with him, Holly, and the
no-name cat sharing an embrace when Holly finally realizes that love is not about
the money, and that she and Paul are perfect for each other. Holly and Paul
share a typical movie romance, where Holly does not realize what she has until
she loses everything else.
Even though Audrey
Hepburn’s introvert personality made it difficult for her to play the extrovert
character of Holly Golightly, Hepburn was nominated for an Oscar for the role
(Awards for Breakfast at Tiffany’s).
Holly Golightly lives carelessly in her nearly empty apartment, working in the “powder
room” and having many men fall head over heels for her, only for her to ignore
them completely. She cares only about herself, her brother, and the cat, as she
leaves her old life as Lou Lou May behind, to become an exquisite character
that is seen as “phony” by others. Her actions are mostly selfish and oriented
towards money, until she becomes close with Paul Varjak. Their relationship
seems to be going in the right direction, until her strive towards riches
overpowers the true love. After she ignores Paul’s feelings towards her, his
only response is to give her money, saying that it is, “fifty dollars for the
powder room,” and leave her (Memorable quotes for Breakfast at Tiffany’s). The movie goes through the changes of
Golightly, from selfish and ungrateful, to caring.
Audrey Hepburn’s
fame clearly came and is sustained through her excellent acting in Breakfast at Tiffany’s, becoming an icon
of the 60s, but even better was that of the character I.Y. Yunioshi, Holly
Golightly’s angry neighbor. Yunioshi was played by Mickey Rooney, and in order
to do so he had to paint his face a different color and wear false teeth, since
Yunioshi was a caricature of a Japanese man. The movie was protested by many,
and regarded as racism. Rooney’s portrayal of a crazy photographer set the
standard for the use of stereotypes in Hollywood. Though Richard Sheperd and
Mickey Rooney both express regret in the casting, saying that they never meant
to offend anyone, having Rooney, a Caucasian man, play a Japanese man only made
the movie even more memorable (Wikipedia.com). His fame comes mostly from his
anger when Holly Golightly forgets her key, and rings to his room to open the
door, as he often threatens her that he will call the police,” (Memorable
quotes for Breakfast at Tiffany’s).
Though to some,
the movie is regarded as an, “old-school chick flick,” and, “a dull,
watered-down adaptation that is inexplicably revered,” by some, it has
generally good ratings, reaching mostly five stars (Rottentomatoes.com).
Breakfast at Tiffany’s remains a classic
as its fame stretches from the 20th century to the 21st,
creating endless fame for Audrey Hepburn even past the end of her life in “The Audrey
Hepburn Story” and ranking her within
the top 100 greatest performances of all time by Premiere Magazine (Biography
for Audrey Hepburn). The romantic comedy is the most timeless of its genre, and
will continue to represent the typical story of a girl in New York craving
romance and prosperity more than anything.
Works Cited
IMDb. Awards for
Breakfast at Tiffany’s (1961). http://www.imdb.com/title/tt0054698/awards.
(Accessed January 12, 2012).
IMDb. Biography for
Audrey Hepburn. http://www.imdb.com/name/nm0000030/bio
(Accessed January 12, 2012).
IMDb. Memorable quotes
for Breakfast at Tiffany’s (1961). http://www.imdb.com/title/tt0054698/quotes.
(Accessed January 12, 2012).
Rotten Tomatoes. Breakfast
at Tiffany’s Reviews (1961). http://www.rottentomatoes.com/m/breakfast_at_tiffanys/reviews/?sort=rotten
(Accessed January 12, 2012).
Wikipedia. Breakfast
at Tiffany’s (Film). http://en.wikipedia.org/wiki/Breakfast_at_Tiffany%27s_%28film%29#Cast.
(Accessed January 12, 2012).
I like this review because it puts a lot of focus on the fact that this movie made Audrey Hepburn the idol she is today. This is a good way to establish ethos, since nearly everyone is familiar with her name. Also mentioning other well-known actors such as Mickey Rooney makes the movie seem more appealing and helps your argument (The fact that is adapted from a book by Truman Capote doesn't hurt either). If some readers do not know who these people are, you also offer the multiple awards and ratings it received as "proof" that it is a good movie. I also like the fact that you brought up the iconic image from the film of Audrey Hepburn holding a cigarette with parted lips and wide eyes. There are infinite posters, tee shirts (I own one), and other accessories that anyone must have come across in their lifetime. The familiarity and cult-like status associated with this movie easily makes it a classic and you argue your point well.
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